The visual style will be a mix of new and old, mirroring the
theme of the film itself. The film captures London
as a vibrant backdrop to the story and the personal
crossroads facing the characters.
Classic compositions are sought wherever possible,
adhering to established conventions for efficient storytelling, but with a
modern dynamism.
Comedy compositions will be used where appropriate; generally a wider
shot is preferred for comedy while drama will be shot with an emphasis
on close-ups.
Shallow depth-of-field for all close-ups; longer
lenses will be preferred throughout for a "flatter" picture.
Shots will be beautifully lit for a cinematic look with
creative lighting where appropriate.
Colours will appear natural with grading leaning slightly towards a
warm and vibrant look.
Various methods of camera stabilising will be used throughout
with hand-held camera used only where appropriate.
No subjective camera
is envisaged.
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