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VISUAL STYLE

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The visual style will be a mix of new and old, mirroring the theme of the film itself.

The film captures London as a vibrant backdrop to the story and the personal crossroads facing the characters.

Classic compositions are sought wherever possible, adhering to established conventions for efficient storytelling, but with a modern dynamism.

Comedy compositions will be used where appropriate; generally a wider shot is preferred for comedy while drama will be shot with an emphasis on close-ups.

Shallow depth-of-field for all close-ups; longer lenses will be preferred throughout for a "flatter" picture.

Shots will be beautifully lit for a cinematic look with creative lighting where appropriate.

Colours will appear natural with grading leaning slightly towards a warm and vibrant look.

Various methods of camera stabilising will be used throughout with hand-held camera used only where appropriate.

No subjective camera is envisaged.

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